O Curso de Geologia de 85/90 da Universidade de Coimbra escolheu o nome de Geopedrados quando participou na Queima das Fitas.
Ficou a designação, ficaram muitas pessoas com e sobre a capa intemporal deste nome, agora com oportunidade de partilhar as suas ideias, informações e materiais sobre Geologia, Paleontologia, Mineralogia, Vulcanologia/Sismologia, Ambiente, Energia, Biologia, Astronomia, Ensino, Fotografia, Humor, Música, Cultura, Coimbra e AAC, para fins de ensino e educação.
Nicholas Robert "Nik" Turner (Oxford, 26 August 1940 – Pembrokeshire, 10 November 2022) was an English musician, best known as a former member of space rock pioneers Hawkwind. Turner plays saxophones, flute, sings, and is a composer. While with Hawkwind, Turner was known for his experimental free jazz stylisations and outrageous stage presence, often donning full makeup and Ancient Egypt-inspired costumes.
Tim McIlrath (Arlington Heights, Illinois, 3 de novembro de 1979) é o guitarrista e vocalista da banda norte-americana Rise Against. Ele é vegetariano desde os 17 anos, apoia os direitos dos animais, promove o PETA com a sua banda e é Straight Edge.
Timothy J. McIlrath nasceu a 3 de novembro de 1979 em Arlington Heights, Illinois. Quando criança, leu livros como 1984, de George Orwell e Admirável Mundo Novo de Aldous Huxley,
que mais tarde iria influenciar o seu trabalho. Começou a frequentar
uma escola católica, e era constantemente gozado por ter um olho
castanho e o outro olho azul - uma anomalia genética conhecida como heterocromia.
Ele começou a carreira musical ainda adolescente, a sua primeira banda era
chamada Baxter, formada em 1995 com o futuro baterista da banda The Lawrence Arms, Neil Hennessy e o futuro baixista da banda The Killing Tree, Geoff Reu. Logo ela se tornou uma banda popular no cenário underground de Chicago. Baxter foi apresentada ao grande cenário de Chicago abrindo shows das bandas Good Riddance, Braid, Hot Water Music, Slapstick, Alkaline Trio e Strife.
Em 1997, a banda lançou o 7º EP Lost Voices no Static Station Records. Depois de um tour local, a banda acabou.
Em 1999 ele formou a banda Rise Against com o baixista Jonathan Prince, Dan Precision na guitarra e Brandon Bames na bateria. Eles gravaram o primeiro álbum The Unraveling na gravadora independente Fat Wreck Chords em 2001.
Em 2003 o guitarrista Dan Precision saiu, e Todd Mohney entrou para o seu lugar. Mais tarde lançaram o segundo álbum RPM,
que foi muito bem recebido e teve um grande sucesso, e é considerado
por muitos como o melhor trabalho da banda. Eles fizeram um tour nos
Estados Unidos nesse ano, e no final Todd saiu. Para o substituir no seu
lugar, foi chamado o guitarrista Chris Chasse, que entrou em 2004 e eles lançaram outro álbum pela gravadora Geffen Records, chamado Siren Song of the Counter Culture.
Eles tinham terminado o tour e foram ao estúdio para fazer o
próximo álbum, quando Chris Chasse deixou a banda para prosseguir a vida
familiar. Tim também participa da banda The Killing Tree junto com o guitarrista Todd Mohney, onde todos os membros usam pseudónimos.
Rise Against gravou o penultimo álbum Appeal to Reason com a ajuda do guitarrista Zach Blair, que agora é um membro permanente. Appeal to Reason foi lançado em 7 de Outubro, 2008. Dessa vez a gravadora foi The Blasting Room, com Bill Stevenson e Jason Livermore, que ajudaram a produzir Revolutions Per Minute e The Sufferer & The Witness.
Adam Ant é o nome artístico de Stuart Leslie Goddard (Londres, 3 de novembro de 1954), líder e vocalista da banda Adam and the Ants. Embora tenha começado a tocar música punk, foi aos poucos mudando seu estilo em direção à imagem de um astro pop. Assim como David Bowie, Madonna e outros célebres camaleões da música, Adam era notório por reinventar a sua imagem a cada disco novo.
Indubitavelmente o ponto alto da carreira de Ant foi no começo dos anos 80 com a sua banda. Ajudou muito o surgimento da MTV, que lhe deu o veículo ideal para transmitir a sua mensagem às massas - o videoclip.
Até 1985 Adam ainda tinha apelo suficiente nos media, inclusive participando do concerto beneficente Live Aid,
onde, ao invés de tocar os seus maiores sucessos, ele escolheu as músicas
do seu recém-lançado álbum a solo. Não adiantou muito, e foi o começo
do declínio de sua carreira. Foi então que Adam passou a atuar em
filmes e séries de TV.
No final dos anos 90,
aproveitando a onda de nostalgia em relação aos anos 80, Adam retomou
a sua carreira, obtendo sucesso relativo (principalmente entre os seus
antigos fãs).
No começo de 2002 Adam envolveu-se numa disputa num pub na Inglaterra,
o que lhe deu um processo em tribunal. Foi então revelado que era maníaco
depressivo. Desde este incidente ele voltou a ser notícia, com rumores
sobre seu estado de saúde e prováveis projetos musicais.
Discografia
Com Adam and the Ants
Dirk Wears White Sox (1979)
Kings of the Wild Frontier (1980)
Prince Charming (1981)
Álbuns a solo
Friend or Foe (1982)
Strip (1983)
Vive Le Rock (1985)
Manners and Physique (1990)
Persuasion (1991 - gravado mas não lançado)
B-Side Babies (1994)
Wonderful (1995)
Adam Ant Is the Blueblack Hussar in Marrying the Gunner's Daughter (2013)
Although Outlandos d'Amour received mixed reviews upon its release, it has since been regarded as one of the strongest debut albums. Rolling Stone ranked it as the 38th best debut album of all time and the 428th greatest album of all time.
Background and recording
With a budget of £1,500 borrowed from their manager, Miles Copeland (brother of drummer Stewart), the Police recorded Outlandos d'Amour at Surrey Sound Studios
in an intermittent fashion over six months, with the band recording
whenever the studio had free time or another band's sessions were
cancelled.
Miles Copeland had promised to pay Surrey Sound £2,000 upon completion
of the recording, but did not give them the full amount until much
later.
Miles occasionally visited the
studio during recording, and he reacted to what he heard from the band
with vehement derision. However, upon hearing "Roxanne" he had the opposite reaction and took the recording to A&M Records
the following day, where he persuaded the record label to release it as
a one-off single. Although the single failed to chart, A&M agreed
to give the band a second chance with "Can't Stand Losing You".
At first, A&M proposed the band create an improved mix of the song,
but after five attempts admitted that it could not improve upon the
band's mix, and released the original mix for the single. When it became
the band's first hit, the label quickly approved the release of the
by-then finished album.
Miles had originally wanted to name the album Police Brutality. However, after hearing "Roxanne" and then envisioning a more romantic image for the band, he proposed Outlandos d'Amour
instead. This title is a loose French translation of "Outlaws of Love",
with the first word being a combination of the words "outlaws" and
"commandos", and "d'Amour" meaning "of love".
Music and lyrics
Outlandos d'Amour, while at times incorporating reggae, pop and other elements of what would eventually become the band's definitive sound, is dominated by punk influences. This is evident on the opening track "Next to You", despite it essentially being a love song. Stewart Copeland and guitarist Andy Summers initially felt the lyrics were neither aggressive nor political enough for their style at the time, but bassist and vocalist Sting
was adamant about keeping the song as it was. "Next to You" includes a
slide guitar solo by Summers, which Copeland initially dismissed as "old
wave".
The second track is the reggae-influenced "So Lonely". Sting has said he used Bob Marley's "No Woman, No Cry"
as the musical basis for the song, while the lyrics in its verses were
recycled from "Fool in Love", a song he originally wrote for his earlier
band Last Exit.
The song itself, about someone who is lonely after suffering a broken
heart, was seen as ironic by a large segment of the band's listeners.
Sting disagreed with this sentiment, saying, "No, there's no irony
whatsoever. From the outside it might look a bit strange, being
surrounded by all this attention and yet experiencing the worst lonely
feeling ... but I do. And then suddenly the attention is withdrawn a
half an hour later. You're so isolated ..."
"Roxanne" was written by Sting after visiting a red-light district near the band's hotel in Paris.
The Police had been staying there in October 1977 to perform at the
nearby Nashville Club. The song's title comes from the name of the
character in the play Cyrano de Bergerac, an old poster of which was hanging in the hotel foyer. Sting had originally conceived the song as a bossa nova, although Stewart Copeland has been credited for suggesting its final rhythmic form as a tango.
During recording, Sting accidentally sat down on a piano keyboard in
the studio, resulting in the atonal chord and laughter preserved at the
beginning of the track. The Police were initially reluctant about the
song, but Miles Copeland was immediately enthusiastic after hearing it.
The remaining two tracks on the first side of the album are "Hole
in My Life", another reggae-influenced song by Sting, and "Peanuts", a
composition written by Stewart Copeland and Sting about Rod Stewart.
The lyrics were meant as an expression of disappointment on Sting's
part towards his former idol, of whom he said: "I used to be a great fan
of his but something happened to him. I hope I don't end up like that."
Having since experienced the celebrity lifestyle himself, he has said
he no longer identifies with the song's lyrical content and has come to
view Stewart in a different light.
"Can't Stand Losing You" begins side two of the original LP.
Written and composed by Sting, the song is about a young lover being
driven to suicide following a breakup. In a 1993 interview with The Independent,
he described the lyrics as "juvenile", saying that "teenage suicide ...
is always a bit of a joke"; he also claimed to have written the lyrics
in only five minutes.
The following track, "Truth Hits Everybody", is a punk-influenced
song. After that is "Born in the 50's", which details life as a
teenager during the 1960s. "Be My Girl—Sally" is a medley of a
half-finished song by Sting and an Andy Summers poem about a blow-up doll.
This leads into the semi-instrumental closer, "Masoko Tanga", the only
song on the album to not become a staple of the band's live
performances.
Two other songs from these sessions were excluded from Outlandos d'Amour but released as B-sides
for two of its singles: "Dead-End Job", a song credited to Sting and
Copeland, on the B-side of "Can't Stand Losing You"; and "No Time This
Time" by Sting, on the B-side of "So Lonely". The latter was
subsequently included on the band's second album Reggatta de Blanc.
Em 2004, Kiedis lançou a sua autobiografia intitulada Scar Tissue, e em 2009, foi homenageado pelo 5th Annual MusiCares MAP Fund Benefit Concert em Los Angeles, Califórnia.
Sandy West (Long Beach, California, July 10, 1959 – San Dimas, California, October 21, 2006) was an American singer, drummer and songwriter. She was one of the founding members of the Runaways, the first teenage all-girl hard rock band to record and achieve widespread commercial success in the 1970s.
Early life
Sandy (born Sandy Pesavento) was born in Long Beach, California.
When she was 9 years old, her grandfather bought her a drum kit, and
being an avid fan of rock and roll acts of the 1960s and 1970s, she
began practicing rock music immediately and regularly. In 4th, 5th, and
6th grade, she was the drummer in the Prisk Elementary School orchestra.
She proved to have a natural talent and quickly became a proficient
drummer.
By the age of 13, she was the only girl in local bands who played
at teenage parties. West attended Edison High school in Huntington
Beach California with actor Willie Aames, playing drums in school bands
as Sandy Pesavento, one of those bands was Witchcraft that featured
Jimmy "Trash" Decker that later went on to form the punk band The Crowd
in 1977.
Driven
by her ambition to play professionally, she sought out fellow musicians
and other industry contacts in southern California with the idea of
forming an all-woman rock band. In 1975, she met producer Kim Fowley, who gave her the phone number of another young musician in the area, guitarist Joan Jett.
Joan and Sandy met shortly thereafter. The women subsequently played
for Fowley, who agreed to help them find other female musicians to round
out the band, most notably Lita Ford and Cherie Currie.
Post-Runaways years
After
four years of recording and touring the world, the Runaways disbanded
in April 1979. West made varied attempts to continue her career as a
professional musician, playing with other acts in southern California,
releasing a solo EP, The Beat is Back,
and forming the Sandy West Band. None of these ventures produced
significant income, so West was forced to spend most of her
post-Runaways years working outside music. West later claimed that
ex-Runaways' manager/producer Kim Fowley had not paid the members of the
band what they were entitled to. "I owe him my introduction to the
music business but he's also the reason I'm broke now," West said.
West appeared in Edgeplay: A Film About the Runaways, a documentary about the Runaways produced and directed by the band's former bassist Victory Tischler-Blue,
providing some of the more poignant interview segments, describing the
things she had to do post-Runaways for money. She worked mostly in
construction, and spent a small amount of time as a bartender and a
veterinary assistant.
In other parts of the Edgeplay interviews, she alludes to having
engaged in criminal activity in order to make ends meet (e.g., she
describes how she had to break someone's arm for money they owed). West
spent time in jail on multiple occasions following her career in the
Runaways, which she alluded to in Edgeplay.
Personal life and death
According to her bandmate Lita Ford, West was lesbian. West died on October 21, 2006, at the age of 47, from lung cancer diagnosed a year before. West was never married and had no children.
Tire suas mãos de mim Eu não pertenço a você Não é me dominando assim Que você vai me entender Eu posso estar sozinho Mas eu sei muito bem aonde estou Você pode até duvidar Acho que isso não é amor
Será só imaginação? Será que nada vai acontecer? Será que é tudo isso em vão? Será que vamos conseguir vencer?
Nos perderemos entre monstros Da nossa própria criação Serão noites inteiras Talvez com medo da escuridão Ficaremos acordados Imaginando alguma solução Pra que esse nosso egoísmo Não destrua o nosso coração
Será só imaginação? Será que nada vai acontecer? Será que é tudo isso em vão? Será que vamos conseguir vencer?
Brigar pra quê, se é sem querer? Quem é que vai nos proteger? Será que vamos ter de responder Pelos erros a mais, eu e você?
C. J. Ramone é o pseudónimo de Christopher Joseph Ward (Nova Iorque, 8 de outubro de 1965), é um músico norte-americano, conhecido como baixista da banda de punk rockRamones, na qual entrou em substituição de Dee Dee Ramone após a gravação de Brain Drain (1989) e onde ficou até o fim da banda, em 1996. Assim como o seu antecessor Dee Dee, CJ também atuou como vocalista em algumas músicas, vindo a gravar Strengh to Endure, Cretin Family e Main Man, entre outras, além de dizer One, two, three, four!
em shows da banda, para introduzir as músicas. Além disso, ficou
responsável por cantar todas as músicas que o seu antecessor cantava.
Lita nasceu em Londres mas tem ascendência italiana. Ela mudou-se, com a família, para os Estados Unidos, ainda em criança. Lita juntou-se à banda feminina The Runaways aos 16 anos de idade e, após o término do grupo em 1979, iniciou a sua carreira a solo. Os seus dois primeiros álbuns tiveram um sucesso bastante discreto.
Douglas Glen Colvin, mais conhecido por Dee Dee Ramone (Fort Lee, 18 de setembro de 1951 - Los Angeles, 5 de junho de 2002), foi baixista e compositor duma das bandas mais influentes da história do punk rock, a banda norte-americana Ramones. Dee Dee passou a sua infância na Alemanha devastada pela Segunda Guerra Mundial, tendo mudado para Nova Iorque com 14 anos de idade, acompanhado da sua irmã, da sua cadela Kessie
e da mãe, quando esta se separou do seu pai, um militar americano que
trabalhava na fronteira com a RDA. Douglas Colvin era filho de uma
cidadã alemã e de um oficial americano que trabalhava na fronteira com a República Democrática Alemã .
Já em Nova Iorque conheceu Joey Ramone, Tommy Ramone e Johnny Ramone e juntos eles formaram os Ramones.
Dee Dee tinha dificuldade para tocar e cantar ao mesmo tempo, por isso
quase não cantava, mas contribuía para a banda com muitas letras. No
meio da turnê do álbum Brain Drain, Dee Dee saiu da banda, alegando estar cansado das turnês exaustivas (anos depois admitiu estar a abusar de heroína e outras drogas), e embarcou numa curta carreira a solo como rapper, quando adotou o nome artístico de Dee Dee King. O álbum de rap lançado por Dee Dee foi rejeitado pela crítica e pelo público, fazendo-o logo regressar ao punk rock. Dee Dee continuou a gravitar ao redor dos Ramones, contribuindo com letras e músicas para os discos seguintes.
Michael James Way (Newark, New Jersey, September 10, 1980) is an American musician and actor. He is best known as the bassist of the rock band My Chemical Romance. He is also the multi-instrumentalist and backing vocalist of rock duo Electric Century.
Mikey co-wrote Collapser with Shaun Simon, which was released July 2019 on DC Comics.
Perry Archangelo Bamonte (London, 3 September 1960) is an English musician and illustrator, best known as a member of the rock band The Cure from 1990 to 2005, and again since 2022.
Biography
Bamonte was born in London, England. His older brother Daryl worked as a tour manager for The Cure and Depeche Mode, and via this connection Perry joined the Cure's road crew in 1984. He eventually became the guitar tech and personal assistant for group leader Robert Smith. Already a guitarist, during this period Bamonte was taught to play piano and keyboards by Smith's sister Janet. When keyboardist Roger O'Donnell
left the Cure in 1990, Bamonte was promoted to a full member of the
band, playing both keyboards and guitar regularly, as well as six-string bass and percussion occasionally.
Bamonte's first album with the Cure was Wish in 1992, and he remained with the band for their next three albums. Due to the departure of guitarist Porl Thompson
and the return of Roger O'Donnell during this period, Bamonte's duties
for the band shifted to a stronger focus on guitar and less on
keyboards. In 2005, Bamonte and O'Donnell were dismissed by Smith, who reportedly wanted to reinvent the band as a three-piece.
Despite the abrupt dismissal and the lack of an official statement
describing the reason, Bamonte and Smith remained on amicable terms.
Bamonte kept a low profile for several years, devoting his time to fly fishing and a career as an illustrator. He continues to contribute content and illustrations for the magazine Fly Culture. In 2012 he joined the supergroup Love Amongst Ruin as bassist and appeared on their 2015 album Lose Your Way. In 2019, Bamonte joined fellow members of the Cure, past and present, for their induction into the Rock and Roll Hall of Fame.
In a move that had not been previously announced, Bamonte rejoined the
Cure in 2022 for the first performance of their extensive Lost World
Tour, and has remained with the band since.