sexta-feira, outubro 02, 2026
Hoje é preciso ouvir The Police ...!
Postado por Pedro Luna às 00:07 0 comentários
Marcadores: música, new wave, pop, Pós Punk, Rock, Roxanne, Sting, The Police
quarta-feira, maio 20, 2026
Every Breath You Take, um single dos The Police, foi lançado há 43 anos...
At the 26th Annual Grammy Awards, the song was nominated for three Grammy Awards, including Song of the Year, Best Pop Performance by a Duo or Group with Vocals, and Record of the Year, winning in the first two categories. For the song, Sting received the 1983 Ivor Novello Award for Best Song Musically and Lyrically from the British Academy of Songwriters, Composers and Authors.
"Every Breath You Take" is the Police's and Sting's signature song, and in 2010 was estimated to generate between a quarter and a third of Sting's music publishing income. In May 2019, it was recognised by BMI as being the most played song in radio history. With nearly 15 million radio plays, Sting received a BMI Award at a ceremony held at the Beverly Wilshire Hotel in Beverly Hills to mark it being the Most Performed Song in BMI's catalogue, a distinction previously held since 1999 by Spector, Mann and Weil's "You've Lost That Lovin' Feelin'". BMI President and CEO Mike O'Neill stated: "For the first time in 22 years, BMI has a new top song in our repertoire with Sting's timeless hit 'Every Breath You Take,' a remarkable achievement that solidifies its place in songwriting history."
in Wikipédia
Every Breath You Take - The Police
Every breath you take
And every move you make
Every bond you break
Every step you take
I'll be watching you
Every single day
Every word you say
Every game you play
Every night you stay
I'll be watching you
Oh, can't you see
You belong to me?
How my poor heart aches
With every step you take?
Every move you make
And every vow you break
Every smile you fake
Every claim you stake
I'll be watching you
Since you've gone, I've been lost without a trace
I dream at night, I can only see your face
I look around, but it's you I can't replace
I feel so cold and I long for your embrace
I keep crying: Baby, baby, please
Mmm, mmm, mmm, mmm
Mmm, mmm, mmm
Oh, can't you see
You belong to me?
How my poor heart aches
With every step you take?
Every move you make
And every vow you break
Every smile you fake
Every claim you stake
I'll be watching you
Every move you make
Every step you take
I'll be watching you
I'll be watching you
(Every breath you take)
(Every move you make)
(Every bond you break)
(Every step you take)
I'll be watching you
(Every single day)
(Every word you say)
(Every game you play)
(Every night you stay)
I'll be watching you
(Every move you make)
(Every vow you break)
(Every smile you fake)
(Every claim you stake)
I'll be watching you
(Every single day)
(Every word you say)
(Every game you play)
(Every night you stay)
I'll be watching you
(Every breath you take)
(Every move you make)
(Every bond you break)
(Every step you take)
I'll be watching you
(Every single day)
(Every word you say)
(Every game you...)
Postado por Fernando Martins às 00:43 0 comentários
Marcadores: Every Breath You Take, música, Sting, The Police
domingo, novembro 02, 2025
Os The Police lançaram o seu álbum de estreia (Outlandos d'Amour) há 47 anos
Although Outlandos d'Amour received mixed reviews upon its release, it has since been regarded as one of the strongest debut albums. Rolling Stone ranked it as the 38th best debut album of all time and the 428th greatest album of all time.
Background and recording
With a budget of £1,500 borrowed from their manager, Miles Copeland (brother of drummer Stewart), the Police recorded Outlandos d'Amour at Surrey Sound Studios in an intermittent fashion over six months, with the band recording whenever the studio had free time or another band's sessions were cancelled. Miles Copeland had promised to pay Surrey Sound £2,000 upon completion of the recording, but did not give them the full amount until much later.
Miles occasionally visited the studio during recording, and he reacted to what he heard from the band with vehement derision. However, upon hearing "Roxanne" he had the opposite reaction and took the recording to A&M Records the following day, where he persuaded the record label to release it as a one-off single. Although the single failed to chart, A&M agreed to give the band a second chance with "Can't Stand Losing You". At first, A&M proposed the band create an improved mix of the song, but after five attempts admitted that it could not improve upon the band's mix, and released the original mix for the single. When it became the band's first hit, the label quickly approved the release of the by-then finished album.
Music and lyrics
Outlandos d'Amour, while at times incorporating reggae, pop and other elements of what would eventually become the band's definitive sound, is dominated by punk influences. This is evident on the opening track "Next to You", despite it essentially being a love song. Stewart Copeland and guitarist Andy Summers initially felt the lyrics were neither aggressive nor political enough for their style at the time, but bassist and vocalist Sting was adamant about keeping the song as it was. "Next to You" includes a slide guitar solo by Summers, which Copeland initially dismissed as "old wave".
The second track is the reggae-influenced "So Lonely". Sting has said he used Bob Marley's "No Woman, No Cry" as the musical basis for the song, while the lyrics in its verses were recycled from "Fool in Love", a song he originally wrote for his earlier band Last Exit. The song itself, about someone who is lonely after suffering a broken heart, was seen as ironic by a large segment of the band's listeners. Sting disagreed with this sentiment, saying, "No, there's no irony whatsoever. From the outside it might look a bit strange, being surrounded by all this attention and yet experiencing the worst lonely feeling ... but I do. And then suddenly the attention is withdrawn a half an hour later. You're so isolated ..."
"Roxanne" was written by Sting after visiting a red-light district near the band's hotel in Paris. The Police had been staying there in October 1977 to perform at the nearby Nashville Club. The song's title comes from the name of the character in the play Cyrano de Bergerac, an old poster of which was hanging in the hotel foyer. Sting had originally conceived the song as a bossa nova, although Stewart Copeland has been credited for suggesting its final rhythmic form as a tango. During recording, Sting accidentally sat down on a piano keyboard in the studio, resulting in the atonal chord and laughter preserved at the beginning of the track. The Police were initially reluctant about the song, but Miles Copeland was immediately enthusiastic after hearing it.
The remaining two tracks on the first side of the album are "Hole in My Life", another reggae-influenced song by Sting, and "Peanuts", a composition written by Stewart Copeland and Sting about Rod Stewart. The lyrics were meant as an expression of disappointment on Sting's part towards his former idol, of whom he said: "I used to be a great fan of his but something happened to him. I hope I don't end up like that." Having since experienced the celebrity lifestyle himself, he has said he no longer identifies with the song's lyrical content and has come to view Stewart in a different light.
"Can't Stand Losing You" begins side two of the original LP. Written and composed by Sting, the song is about a young lover being driven to suicide following a breakup. In a 1993 interview with The Independent, he described the lyrics as "juvenile", saying that "teenage suicide ... is always a bit of a joke"; he also claimed to have written the lyrics in only five minutes.
The following track, "Truth Hits Everybody", is a punk-influenced song. After that is "Born in the 50's", which details life as a teenager during the 1960s. "Be My Girl—Sally" is a medley of a half-finished song by Sting and an Andy Summers poem about a blow-up doll. This leads into the semi-instrumental closer, "Masoko Tanga", the only song on the album to not become a staple of the band's live performances.
Two other songs from these sessions were excluded from Outlandos d'Amour but released as B-sides for two of its singles: "Dead-End Job", a song credited to Sting and Copeland, on the B-side of "Can't Stand Losing You"; and "No Time This Time" by Sting, on the B-side of "So Lonely". The latter was subsequently included on the band's second album Reggatta de Blanc.
in Wikipédia
Postado por Fernando Martins às 00:47 0 comentários
Marcadores: música, new wave, Outlandos d'Amour, pop, Pós Punk, punk rock, reggae rock, Reino Unido, Rock, Roxanne, Sting, The Police
quinta-feira, outubro 02, 2025
Música de aniversariante de hoje...
Postado por Pedro Luna às 19:51 0 comentários
Marcadores: If I Ever Lose My Faith In You, música, new wave, pop, Pós Punk, Rock, Sting, The Police
Sting comemora hoje setenta e quatro anos
Postado por Fernando Martins às 07:40 0 comentários
Marcadores: Every Breath You Take, música, new wave, pop, Pós Punk, Rock, Sting, The Police
terça-feira, maio 20, 2025
Every Breath You Take, single dos The Police, foi lançado há 42 anos...
At the 26th Annual Grammy Awards, the song was nominated for three Grammy Awards, including Song of the Year, Best Pop Performance by a Duo or Group with Vocals, and Record of the Year, winning in the first two categories. For the song, Sting received the 1983 Ivor Novello Award for Best Song Musically and Lyrically from the British Academy of Songwriters, Composers and Authors.
"Every Breath You Take" is the Police's and Sting's signature song, and in 2010 was estimated to generate between a quarter and a third of Sting's music publishing income. In May 2019, it was recognised by BMI as being the most played song in radio history. With nearly 15 million radio plays, Sting received a BMI Award at a ceremony held at the Beverly Wilshire Hotel in Beverly Hills to mark it being the Most Performed Song in BMI's catalogue, a distinction previously held since 1999 by Spector, Mann and Weil's "You've Lost That Lovin' Feelin'". BMI President and CEO Mike O'Neill stated: "For the first time in 22 years, BMI has a new top song in our repertoire with Sting's timeless hit 'Every Breath You Take,' a remarkable achievement that solidifies its place in songwriting history."
in Wikipédia
Every Breath You Take - The Police
Every breath you take
And every move you make
Every bond you break
Every step you take
I'll be watching you
Every single day
Every word you say
Every game you play
Every night you stay
I'll be watching you
Oh, can't you see
You belong to me?
How my poor heart aches
With every step you take?
Every move you make
And every vow you break
Every smile you fake
Every claim you stake
I'll be watching you
Since you've gone, I've been lost without a trace
I dream at night, I can only see your face
I look around, but it's you I can't replace
I feel so cold and I long for your embrace
I keep crying: Baby, baby, please
Mmm, mmm, mmm, mmm
Mmm, mmm, mmm
Oh, can't you see
You belong to me?
How my poor heart aches
With every step you take?
Every move you make
And every vow you break
Every smile you fake
Every claim you stake
I'll be watching you
Every move you make
Every step you take
I'll be watching you
I'll be watching you
(Every breath you take)
(Every move you make)
(Every bond you break)
(Every step you take)
I'll be watching you
(Every single day)
(Every word you say)
(Every game you play)
(Every night you stay)
I'll be watching you
(Every move you make)
(Every vow you break)
(Every smile you fake)
(Every claim you stake)
I'll be watching you
(Every single day)
(Every word you say)
(Every game you play)
(Every night you stay)
I'll be watching you
(Every breath you take)
(Every move you make)
(Every bond you break)
(Every step you take)
I'll be watching you
(Every single day)
(Every word you say)
(Every game you...)
Postado por Fernando Martins às 00:42 0 comentários
Marcadores: Every Breath You Take, música, Sting, The Police
sábado, novembro 02, 2024
Os The Police lançaram o seu álbum de estreia há 46 anos
Although Outlandos d'Amour received mixed reviews upon its release, it has since been regarded as one of the strongest debut albums. Rolling Stone ranked it as the 38th best debut album of all time and the 428th greatest album of all time.
Background and recording
With a budget of £1,500 borrowed from their manager, Miles Copeland (brother of drummer Stewart), the Police recorded Outlandos d'Amour at Surrey Sound Studios in an intermittent fashion over six months, with the band recording whenever the studio had free time or another band's sessions were cancelled. Miles Copeland had promised to pay Surrey Sound £2,000 upon completion of the recording, but did not give them the full amount until much later.
Miles occasionally visited the studio during recording, and he reacted to what he heard from the band with vehement derision. However, upon hearing "Roxanne" he had the opposite reaction and took the recording to A&M Records the following day, where he persuaded the record label to release it as a one-off single. Although the single failed to chart, A&M agreed to give the band a second chance with "Can't Stand Losing You". At first, A&M proposed the band create an improved mix of the song, but after five attempts admitted that it could not improve upon the band's mix, and released the original mix for the single. When it became the band's first hit, the label quickly approved the release of the by-then finished album.
Music and lyrics
Outlandos d'Amour, while at times incorporating reggae, pop and other elements of what would eventually become the band's definitive sound, is dominated by punk influences. This is evident on the opening track "Next to You", despite it essentially being a love song. Stewart Copeland and guitarist Andy Summers initially felt the lyrics were neither aggressive nor political enough for their style at the time, but bassist and vocalist Sting was adamant about keeping the song as it was. "Next to You" includes a slide guitar solo by Summers, which Copeland initially dismissed as "old wave".
The second track is the reggae-influenced "So Lonely". Sting has said he used Bob Marley's "No Woman, No Cry" as the musical basis for the song, while the lyrics in its verses were recycled from "Fool in Love", a song he originally wrote for his earlier band Last Exit. The song itself, about someone who is lonely after suffering a broken heart, was seen as ironic by a large segment of the band's listeners. Sting disagreed with this sentiment, saying, "No, there's no irony whatsoever. From the outside it might look a bit strange, being surrounded by all this attention and yet experiencing the worst lonely feeling ... but I do. And then suddenly the attention is withdrawn a half an hour later. You're so isolated ..."
"Roxanne" was written by Sting after visiting a red-light district near the band's hotel in Paris. The Police had been staying there in October 1977 to perform at the nearby Nashville Club. The song's title comes from the name of the character in the play Cyrano de Bergerac, an old poster of which was hanging in the hotel foyer. Sting had originally conceived the song as a bossa nova, although Stewart Copeland has been credited for suggesting its final rhythmic form as a tango. During recording, Sting accidentally sat down on a piano keyboard in the studio, resulting in the atonal chord and laughter preserved at the beginning of the track. The Police were initially reluctant about the song, but Miles Copeland was immediately enthusiastic after hearing it.
The remaining two tracks on the first side of the album are "Hole in My Life", another reggae-influenced song by Sting, and "Peanuts", a composition written by Stewart Copeland and Sting about Rod Stewart. The lyrics were meant as an expression of disappointment on Sting's part towards his former idol, of whom he said: "I used to be a great fan of his but something happened to him. I hope I don't end up like that." Having since experienced the celebrity lifestyle himself, he has said he no longer identifies with the song's lyrical content and has come to view Stewart in a different light.
"Can't Stand Losing You" begins side two of the original LP. Written and composed by Sting, the song is about a young lover being driven to suicide following a breakup. In a 1993 interview with The Independent, he described the lyrics as "juvenile", saying that "teenage suicide ... is always a bit of a joke"; he also claimed to have written the lyrics in only five minutes.
The following track, "Truth Hits Everybody", is a punk-influenced song. After that is "Born in the 50's", which details life as a teenager during the 1960s. "Be My Girl—Sally" is a medley of a half-finished song by Sting and an Andy Summers poem about a blow-up doll. This leads into the semi-instrumental closer, "Masoko Tanga", the only song on the album to not become a staple of the band's live performances.
Two other songs from these sessions were excluded from Outlandos d'Amour but released as B-sides for two of its singles: "Dead-End Job", a song credited to Sting and Copeland, on the B-side of "Can't Stand Losing You"; and "No Time This Time" by Sting, on the B-side of "So Lonely". The latter was subsequently included on the band's second album Reggatta de Blanc.
in Wikipédia
Postado por Fernando Martins às 00:46 0 comentários
Marcadores: música, new wave, Outlandos d'Amour, pop, Pós Punk, punk rock, reggae rock, Reino Unido, Rock, Roxanne, Sting, The Police
quarta-feira, outubro 02, 2024
Música de aniversariante de hoje...
Postado por Pedro Luna às 07:30 0 comentários
Marcadores: música, new wave, pop, Pós Punk, Rock, Shape of My Heart, Sting, The Police
Sting comemora hoje setenta e três anos
Postado por Fernando Martins às 00:07 0 comentários
Marcadores: música, new wave, pop, Pós Punk, Rock, Russians, Sting, The Police
segunda-feira, maio 20, 2024
O single Every Breath You Take foi lançado há 41 anos...
At the 26th Annual Grammy Awards, the song was nominated for three Grammy Awards, including Song of the Year, Best Pop Performance by a Duo or Group with Vocals, and Record of the Year, winning in the first two categories. For the song, Sting received the 1983 Ivor Novello Award for Best Song Musically and Lyrically from the British Academy of Songwriters, Composers and Authors.
"Every Breath You Take" is the Police's and Sting's signature song, and in 2010 was estimated to generate between a quarter and a third of Sting's music publishing income. In May 2019, it was recognised by BMI as being the most played song in radio history. With nearly 15 million radio plays, Sting received a BMI Award at a ceremony held at the Beverly Wilshire Hotel in Beverly Hills to mark it being the Most Performed Song in BMI's catalogue, a distinction previously held since 1999 by Spector, Mann and Weil's "You've Lost That Lovin' Feelin'". BMI President and CEO Mike O'Neill stated: "For the first time in 22 years, BMI has a new top song in our repertoire with Sting's timeless hit 'Every Breath You Take,' a remarkable achievement that solidifies its place in songwriting history."
in Wikipédia
Every Breath You Take - The Police
Every breath you take
And every move you make
Every bond you break
Every step you take
I'll be watching you
Every single day
Every word you say
Every game you play
Every night you stay
I'll be watching you
Oh, can't you see
You belong to me?
How my poor heart aches
With every step you take?
Every move you make
And every vow you break
Every smile you fake
Every claim you stake
I'll be watching you
Since you've gone, I've been lost without a trace
I dream at night, I can only see your face
I look around, but it's you I can't replace
I feel so cold and I long for your embrace
I keep crying: Baby, baby, please
Mmm, mmm, mmm, mmm
Mmm, mmm, mmm
Oh, can't you see
You belong to me?
How my poor heart aches
With every step you take?
Every move you make
And every vow you break
Every smile you fake
Every claim you stake
I'll be watching you
Every move you make
Every step you take
I'll be watching you
I'll be watching you
(Every breath you take)
(Every move you make)
(Every bond you break)
(Every step you take)
I'll be watching you
(Every single day)
(Every word you say)
(Every game you play)
(Every night you stay)
I'll be watching you
(Every move you make)
(Every vow you break)
(Every smile you fake)
(Every claim you stake)
I'll be watching you
(Every single day)
(Every word you say)
(Every game you play)
(Every night you stay)
I'll be watching you
(Every breath you take)
(Every move you make)
(Every bond you break)
(Every step you take)
I'll be watching you
(Every single day)
(Every word you say)
(Every game you...)
Postado por Fernando Martins às 00:41 0 comentários
Marcadores: Every Breath You Take, música, Sting, The Police
quinta-feira, novembro 02, 2023
O álbum de estreia da banda The Police foi lançado há 45 anos!
Although Outlandos d'Amour received mixed reviews upon its release, it has since been regarded as one of the strongest debut albums. Rolling Stone ranked it as the 38th best debut album of all time and the 428th greatest album of all time.
Background and recording
With a budget of £1,500 borrowed from their manager, Miles Copeland (brother of drummer Stewart), the Police recorded Outlandos d'Amour at Surrey Sound Studios in an intermittent fashion over six months, with the band recording whenever the studio had free time or another band's sessions were cancelled. Miles Copeland had promised to pay Surrey Sound £2,000 upon completion of the recording, but did not give them the full amount until much later.
Miles occasionally visited the studio during recording, and he reacted to what he heard from the band with vehement derision. However, upon hearing "Roxanne" he had the opposite reaction and took the recording to A&M Records the following day, where he persuaded the record label to release it as a one-off single. Although the single failed to chart, A&M agreed to give the band a second chance with "Can't Stand Losing You". At first, A&M proposed the band create an improved mix of the song, but after five attempts admitted that it could not improve upon the band's mix, and released the original mix for the single. When it became the band's first hit, the label quickly approved the release of the by-then finished album.
Music and lyrics
Outlandos d'Amour, while at times incorporating reggae, pop and other elements of what would eventually become the band's definitive sound, is dominated by punk influences. This is evident on the opening track "Next to You", despite it essentially being a love song. Stewart Copeland and guitarist Andy Summers initially felt the lyrics were neither aggressive nor political enough for their style at the time, but bassist and vocalist Sting was adamant about keeping the song as it was. "Next to You" includes a slide guitar solo by Summers, which Copeland initially dismissed as "old wave".
The second track is the reggae-influenced "So Lonely". Sting has said he used Bob Marley's "No Woman, No Cry" as the musical basis for the song, while the lyrics in its verses were recycled from "Fool in Love", a song he originally wrote for his earlier band Last Exit. The song itself, about someone who is lonely after suffering a broken heart, was seen as ironic by a large segment of the band's listeners. Sting disagreed with this sentiment, saying, "No, there's no irony whatsoever. From the outside it might look a bit strange, being surrounded by all this attention and yet experiencing the worst lonely feeling ... but I do. And then suddenly the attention is withdrawn a half an hour later. You're so isolated ..."
"Roxanne" was written by Sting after visiting a red-light district near the band's hotel in Paris. The Police had been staying there in October 1977 to perform at the nearby Nashville Club. The song's title comes from the name of the character in the play Cyrano de Bergerac, an old poster of which was hanging in the hotel foyer. Sting had originally conceived the song as a bossa nova, although Stewart Copeland has been credited for suggesting its final rhythmic form as a tango. During recording, Sting accidentally sat down on a piano keyboard in the studio, resulting in the atonal chord and laughter preserved at the beginning of the track. The Police were initially reluctant about the song, but Miles Copeland was immediately enthusiastic after hearing it.
The remaining two tracks on the first side of the album are "Hole in My Life", another reggae-influenced song by Sting, and "Peanuts", a composition written by Stewart Copeland and Sting about Rod Stewart. The lyrics were meant as an expression of disappointment on Sting's part towards his former idol, of whom he said: "I used to be a great fan of his but something happened to him. I hope I don't end up like that." Having since experienced the celebrity lifestyle himself, he has said he no longer identifies with the song's lyrical content and has come to view Stewart in a different light.
"Can't Stand Losing You" begins side two of the original LP. Written and composed by Sting, the song is about a young lover being driven to suicide following a breakup. In a 1993 interview with The Independent, he described the lyrics as "juvenile", saying that "teenage suicide ... is always a bit of a joke"; he also claimed to have written the lyrics in only five minutes.
The following track, "Truth Hits Everybody", is a punk-influenced song. After that is "Born in the 50's", which details life as a teenager during the 1960s. "Be My Girl—Sally" is a medley of a half-finished song by Sting and an Andy Summers poem about a blow-up doll. This leads into the semi-instrumental closer, "Masoko Tanga", the only song on the album to not become a staple of the band's live performances.
Two other songs from these sessions were excluded from Outlandos d'Amour but released as B-sides for two of its singles: "Dead-End Job", a song credited to Sting and Copeland, on the B-side of "Can't Stand Losing You"; and "No Time This Time" by Sting, on the B-side of "So Lonely". The latter was subsequently included on the band's second album Reggatta de Blanc.
in Wikipédia
Postado por Fernando Martins às 04:50 0 comentários
Marcadores: música, new wave, Outlandos d'Amour, pop, Pós Punk, punk rock, reggae rock, Reino Unido, Rock, Roxanne, Sting, The Police
segunda-feira, outubro 02, 2023
Música adequada à data...
Postado por Fernando Martins às 07:20 0 comentários
Marcadores: música, new wave, pop, Pós Punk, Rock, Spirits In The Material World, Sting, The Police
Sting faz hoje setenta e dois anos
Postado por Fernando Martins às 00:07 0 comentários
Marcadores: música, new wave, pop, Pós Punk, Rock, Russians, Sting, The Police
domingo, outubro 02, 2022
Música adequada à data...
Postado por Pedro Luna às 07:10 0 comentários
Marcadores: música, new wave, pop, Pós Punk, Rock, Roxanne, Sting, The Police
Sting faz hoje setenta e um anos
Postado por Fernando Martins às 00:07 0 comentários
Marcadores: música, new wave, pop, Pós Punk, Rock, Russians, Sting, The Police
quinta-feira, fevereiro 24, 2022
O ditador Putin mandou invadir a Ucrânia...
Postado por Fernando Martins às 17:38 0 comentários
Marcadores: guerra, música Rússia, Russians, Sting, Ucrânia
sábado, outubro 02, 2021
Música para celebrar um aniversário...
Postado por Fernando Martins às 11:11 0 comentários
Marcadores: música, new wave, pop, Pós Punk, Rock, Russians, Sting, The Police
Música adequada à data!
Postado por Pedro Luna às 07:00 0 comentários
Marcadores: De Do Do Do De Da Da Da, música, new wave, pop, Pós Punk, Rock, Sting, The Police
O Sting faz hoje setenta anos!
Postado por Fernando Martins às 00:07 0 comentários
Marcadores: Every Breath You Take, música, new wave, pop, Pós Punk, Rock, Sting, The Police
sexta-feira, outubro 02, 2020
Sting - 69 anos
Postado por Fernando Martins às 06:09 0 comentários
Marcadores: música, new wave, pop, Pós Punk, Rock, Sting, The Police




